Gobbles Sound Ok
“The real skill of the practitioner lies not in skilled concealment but in the skilled revelation of skilled concealment…”
For hundreds of years philosophers and artists have lamented their incapacity to adequately copy ‘nature’, with frustrated attempts at representation only serving to accelerate the increasing fissure between polarized worlds of human and animal. On the other hand hunters and trappers use finely-tuned strategies for aesthetic and audio mimesis: decoy calls and Foley performances draw a hunter into intimate proximity with his/her prey.
‘Gobbles Sound Ok’ explores the critical difference between these contrasting approaches to discourse with and around the natural world. Via Jean-Jacques Rousseau’s Essay on the Origin of Languages, Dijkstra’s theory of image substitution and online hunting instructables, Gobbles Sound OK investigates the production and performance of sonic decoys and hunting lures as multi-sensory, multi-species ‘artworks’ that utilize difference to undermine the boundary between human and animal.
4. (again). I shouldn’t have, I did, I know I shouldn’t, I still do. I’m feeding you. You might be eating me, a bit. You don’t want to but you also do. You can’t quite bite but you almost can, it’s so much safer this way. It’s So Much Safer. I can breathe even though I’m feeding you my oxygen. I can put my finger in your mouth. I’m collecting you rain water, you’re drinking my fluids, there’s pressure and release. I want to take you to the countryside but you’re too carnivorous. You want to be in my bedroom where there’s flies.